Offizielle Vorlage

Novel plotting methods

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von @Admin
Schreiben & Literatur

What are the best plotting methods — Save the Cat, Snowflake, Three-Act?

Projekt-Plan

11 Aufgaben
1.

{{whyLabel}}: This forces you to identify the core conflict and protagonist immediately, preventing a 'wandering' plot later.

{{howLabel}}:

  • Keep it under 15 words.
  • Mention the protagonist, their goal, and the primary obstacle.
  • Avoid character names; use descriptions (e.g., 'A disgraced knight' instead of 'Sir Arthur').

{{doneWhenLabel}}: You have a single, punchy sentence that summarizes the entire book.

2.

{{whyLabel}}: This builds the 'fractal' structure of your story, identifying the major turning points.

{{howLabel}}:

  • Write exactly five sentences.
  • Sentence 1: Setup and backstory.
  • Sentences 2, 3, and 4: The three major disasters/turning points (Plot Point 1, Midpoint, Plot Point 2).
  • Sentence 5: The resolution.

{{doneWhenLabel}}: A cohesive paragraph that maps the beginning, middle, and end.

3.

{{whyLabel}}: Pacing is the most common reason readers put books down; this method ensures emotional and narrative shifts happen at the right time.

{{howLabel}}:

  • Identify the 15 beats: Opening Image, Theme Stated, Set-up, Catalyst, Debate, Break into Two, B Story, Fun and Games, Midpoint, Bad Guys Close In, All Is Lost, Dark Night of the Soul, Break into Three, Finale, Final Image.
  • Focus specifically on the 'Midpoint' (50%) and 'All Is Lost' (75%) to anchor your story.

{{doneWhenLabel}}: A list of 15 bullet points, each containing 1-2 sentences of plot action.

4.

{{whyLabel}}: Plot is driven by character choices; if you don't know their 'Want' vs. 'Need', the plot will feel forced.

{{howLabel}}:

  • For the protagonist and antagonist, define: External Goal (Want), Internal Flaw (Need), and the 'Ghost' (past trauma).
  • Use the Snowflake Step 3: Write a one-page summary for each major character's personal arc.

{{doneWhenLabel}}: Detailed profiles for at least 3-5 key characters.

5.

{{whyLabel}}: A granular list prevents 'The Saggy Middle' and helps you track subplots (the 'B-Story').

{{howLabel}}:

  • List every scene you envision (aim for 40-60 for a standard novel).
  • For each scene, note: POV character, the 'Conflict', and the 'Change' (how the situation is different at the end of the scene).
  • Align these scenes with your 15 'Save the Cat' beats.

{{doneWhenLabel}}: A complete list of scenes from start to finish.

6.

{{whyLabel}}: Consistency is the only way to finish a 60,000+ word manuscript.

{{howLabel}}:

  • Aim for 500-1,000 words per day.
  • Use a 'Sprint' method: Write for 25 minutes without editing, then rest for 5.
  • Track your progress in a simple log to maintain momentum.

{{doneWhenLabel}}: A daily routine established for at least 7 consecutive days.

7.

{{whyLabel}}: This first 25% must hook the reader and establish the 'Ordinary World'.

{{howLabel}}:

  • Focus on the 'Opening Image' and 'Catalyst'.
  • Ensure the 'Theme Stated' happens within the first 10%.
  • End with the 'Break into Two', where the hero leaves their comfort zone.

{{doneWhenLabel}}: Approximately 15,000 - 20,000 words written.

8.

{{whyLabel}}: This is the 'meat' of the book (50%) where the hero faces obstacles and the B-story (relationships/theme) develops.

{{howLabel}}:

  • Write the 'Fun and Games' section (the promise of the premise).
  • Hit the 'Midpoint' where stakes are raised significantly.
  • Transition through 'Bad Guys Close In' to the 'All Is Lost' moment.

{{doneWhenLabel}}: Approximately 30,000 - 40,000 additional words written.

9.

{{whyLabel}}: The final 25% must provide a satisfying payoff to all established setups.

{{howLabel}}:

  • Write the 'Break into Three' (the epiphany).
  • Execute the 'Finale' (the hero fixes the problem using what they learned in Act II).
  • End with the 'Final Image' that mirrors the 'Opening Image'.

{{doneWhenLabel}}: Complete rough draft of the manuscript.

10.

{{whyLabel}}: First drafts often have 'plot holes' or pacing issues that need fixing before line editing.

{{howLabel}}:

  • Read the entire draft without fixing typos.
  • Check if the 'Save the Cat' beats actually land where they should.
  • Identify scenes that don't move the plot or develop characters and cut them.

{{doneWhenLabel}}: A list of structural changes needed for the second draft.

11.

{{whyLabel}}: You are too close to the work to see its flaws; outside perspectives are essential.

{{howLabel}}:

  • Send the draft to 3-5 trusted readers.
  • Ask specific questions: 'Where did you get bored?' or 'Did the hero's choice make sense?'
  • Look for patterns in feedback rather than individual opinions.

{{doneWhenLabel}}: A revised manuscript incorporating critical feedback.

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