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Uni-Kassel
14. März 2017

Vorlesung Seminar VISION VERSION

vision/version This module will introduce key moments in the history and theory of animation and experimental filmmaking. We will investigate relating aspects of animation and filmmaking in relevance to the idea that perception of moving image is based on the...

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vision/version This module will introduce key moments in the history and theory of animation and experimental filmmaking. We will investigate relating aspects of animation and filmmaking in relevance to the idea that perception of moving image is based on the concept of illusion of movement. You will gain an insight into the world of preproduction, production and postproduction of individual artists/directors and genres. This will be an opportunity to experience extracts of creativity by highlighting selected concepts of practice. This will open up for discussions cultural theory and social developments in relation to processes of communication between director and viewer. The module runs simultaneously to the seminar ‘vision/version’ in collaboration with the documenta Archiv in form of contextual and creative investigations into individual examples of audio-visual work presented in the past as part of the documenta exhibition of contemporary art. The lectures and seminars will be conveyed in english. Aims: • Provide an overview of the development of animation, moving image, filmmaking and cinematography. • Consider the historical and cultural context of animation and film production • Consider the role of technology and technological development in the production of moving imagery • Consider the relationship between form and content in different approaches to film and animation • Consider the work of individual filmmakers in terms of technique and genre Learning Outcomes: • Convey an understanding of the historical and theoretical development of animation and filmmaking • Demonstrate an understanding of the cultural context of film and animation productions • Convey an understanding of the changing nature of technological development in film and aniamtion productions • Demonstrate an understanding of the importance of the relationship between form and content in animation and filmmaking • Convey an understanding of style and genre in animation and filmmaking • Convey methods of research, analysis and visual analysis • Convey methods of research of multimedia resources in media archive Kunsthochschule Kassel Uni Kassel SoSe 2015 Visuelle Kommunikation Bramkamp Martina